Anis Mojgani

“There’s something I love about creating an environment that pushes my brain to think differently, to make it so that it has to think creatively about what surrounds it. This aspect of creation, deconstruction, reconstruction, deconstruction, reconstruction, repeat, helps enable and perpetuate this for me. And what I like about not just putting a song on repeat but having to click it back to the start every time it finishes is that it kind of contributes to the above. It doesn’t lull me down the river, it makes me get back out at the same place downstream, head back to where I jumped in and repeat, mirroring the repetition of the re-/de-/reconstruction aspect of my process.

And oddly enough I think that it also helps with bringing myself closer to the truth of the things inside of me I’m trying to understand or get out of my dark and into my light. That it’s a process of trimming off as much fat as possible, or rather getting it boiled down to the most of its essence. Which enables the work (I hope) to really connect with my self, while also being able to walk around in a shape very far removed from my life, thus becoming more connective with other (I hope more). The music I listen to assists with this. As if that which is in me is naked, is more than naked, is naked of skin and body, and is only vaguely of color. And tries on different songs to see what is fitting the shape of its shadow, and when it finds one that fits right, or well enough, it tries it on, walks around in it, learns what it means to have bones and eyelids. And the shape and story of the song works its way into whatever it is I’m writing and becomes something that I would not have necessarily been able to explore or discover just on my own.”

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